🎥 Capture flawless color and control like a pro—never miss the perfect shot!
The NiSi 67mm Swift True Color ND-Vario Filter offers photographers a premium variable neutral density solution with 1-5 stops of light control. Featuring an exclusive true color coating, it preserves natural hues without yellow tinting. Its thin frame and 72mm front thread eliminate vignetting on wide-angle lenses, while a 20-layer waterproof nano coating protects against environmental damage. The filter’s smooth rotation avoids the common 'X' pattern, ensuring seamless exposure adjustments. Fully compatible with the NiSi Swift System, it allows easy stacking for versatile creative control.
J**N
Exceptional Versatility and Quality
The NiSi 40.5mm True Color ND-Vario Variable Neutral Density Filter is a true game-changer for any photography enthusiast or professional. From the moment I started using this filter, it became an indispensable tool in my kit, enhancing my creative possibilities and elevating my photography to new heights.One of the standout features of this filter is its exceptional versatility. The variable range of 1-5 stops of neutral density allows me to adapt to various lighting conditions without changing lenses or sacrificing image quality. This flexibility is invaluable when working in challenging environments or when aiming for specific creative effects.The True Color technology in the NiSi ND-Vario Filter lives up to its name. The filter maintains color accuracy and clarity, preserving the natural hues and tones in my images. This attention to color fidelity is crucial for achieving professional-grade results and reducing the need for extensive post-processing.The build quality of the filter is evident from the moment you hold it. The precision craftsmanship and solid construction inspire confidence, ensuring that the filter stands up to the demands of outdoor shoots and regular use. The included protective case adds an extra layer of assurance when transporting and storing the filter.The smooth rotation mechanism of the filter makes adjustments seamless and effortless. Whether I'm working with landscapes, portraits, or long-exposure shots, the ability to fine-tune the neutral density level enables me to capture the scene exactly as I envision it.Furthermore, the NiSi brand's commitment to quality is reflected in the results I achieve with this filter. The reduction in light allows for creative control over motion, depth of field, and exposure in a way that enhances the impact of my photographs.In conclusion, the NiSi 40.5mm True Color ND-Vario Variable Neutral Density Filter is a masterpiece that transforms photography into an art form. Its exceptional versatility, true color representation, and top-notch build quality make it a must-have accessory for any photographer seeking to push their creative boundaries. From casual enthusiasts to seasoned professionals, this filter is an investment that pays off in stunning, true-to-life imagery. The NiSi ND-Vario Filter has truly earned its place as an essential tool in my photography journey.
D**N
True to color
I used to have Tiffen filters and they would leave a blue green hue to my shots but these NISI filters are so much more accurate with the color straight out of my camera, I also love the start and stop feature of the ring, no more guessing where the variable ND starts and stops, I also love the little handle that comes with it, I can just feel for it instead of having to look over the camera to find the filter. Every variable ND filter company should have this built in.
C**N
Recommended
Perfect
D**Y
Worth the money
Variable ND shooting video on a DSLR, or hybrid like the Sony FX3 is a must, my experience with some Tiffin and other higher end filters has not been great. I’ve experienced uneven gradients of ND, or an X of darker imagery in my footage, I’ve had no issues with this filter, the quality is solid, and the little adjustment handle is perfect for adjusting on the fly without getting your finger in the shot ;)
J**N
Best Variable ND on the Market!
No X pattern, virtually no color cast, and a range of 1-5 stops (compared to the more common 2-5) make the NiSi True Color ND-Vario the best Variable ND on the market for most situations. Technically, a slight bit of added warmth can be noticed in side-by-side comparisons, but it’s nearly impossible to detect otherwise and close enough to be matched in post without any negative impact to compressed photos or video.I do wish IR filtration had been implemented in the True Color, but perhaps the technology used here doesn’t allow for it. Because IR isn’t filtered, certain lighting conditions can be undesirable or even unusable, especially as more visible light is cut. Assuming (possibly incorrectly) that this one shortcoming is a necessary trade-off for the True Color’s unmatched color accuracy, I hold that the True Color ND-Vario is about as perfect as a VND can get and the first VND that doesn’t feel like a compromise between accuracy and practicality.Here’s hoping for a True Color version of their 5-9 stop next!
K**E
Not as true to color as people make it out to be.
I watched and read so many reviews on this filter, and honestly about 90% of them are misleading. I think it’s great that Nisi gets their product out to creators, but every single video seems to be biased.Don’t get me wrong, I ended up deciding to keep it, but it is definitely not as true to color as people make it out to be. Anything past 3 stops WILL give you a lot of extra magenta.So why did I keep it? This color shift can be fixed by adjusting the tint towards green by about -4.0 and sometimes as much as -14.0. (I edit on Davinci).However, my take away was that even though it has this magenta shift, the colors stay more accurate than other comparable VNDs. I also bought a Peter McKinnon VND to compare and although it was pretty good right out of camera, it wasn’t as easily recoverable (introduces a blueish shift).Again, this could probably be removed in post, but I found that the Nisi was a lot more predictable knowing that it’s just magenta. A lot of times I shoot run n gun outside and I just set my white balance to 5500 and forget it. Now I started compensating in camera by about 0.5-1.0 points towards green to save myself some time in post when I know I’ll generally be cranking the ND past 3.It does still darken the sky in the corners past 3 stops as well, but again, that’s just what you get with polarizers.All in all, the reality is that it is still a VND. You have to sacrifice some quality if you want the speed and flexibility in changing light conditions. I just wish there were more people who gave honest reviews so that this wasn’t such a surprise to me.
M**4
Expensive but NEED
This is my second ND from Nisi. It’s a must if you’re doing professional work.
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