Radiance: A Novel

So, imagine that at around the time George Melies filmed A Trip to the Moon, we actually discovered space travel. And all the planets--the moon, Venus, Neptune, Mars, etc--were habitable. And unlike A Trip to the Moon, no one lived on these planets but giant callowhales, and these whales produced milk that facilitated our ability to live on these planets, though no one knows what these callowhales are.Okay, then imagine that silent films are considered so artistic that films are produced primarily without sound, and also in black and white.Now put yourself in the Hollywood, film-noir mentality. An Orson Welles movie, perhaps.Meet Severin. She’s the daughter of a famous gothic film director, and has always grown up under the spotlight as a beloved film icon. She becomes a documentarian, traveling the stars and making her own films. Her fifth film—The Radiant Car Thy Sparrows Drew—explores a city that’s disappeared on Venus, and a child that circles the city. She and her crew travel to Venus, begin filming.And then she disappears.Told through scripts, gossip columns, interviews, and a fictional first-person detective, Radiance explores the impact of Severin’s disappearance on those who loved her, as well as the history of a person who’s always been in the limelight. As always, Valente’s writing is mesmerizing and unique, and I’m awed by her ability to capture so many different tones. Radiance is her first science fiction novel (she has several sci-fi short stories, one of which was the jumping off point for this novel), and it combines the pulp aesthetic of 1950s sci-fi with postmodern storytelling strategies.This is a book that’s meant to be read fast. If you let too much time go by between reading, you’ll miss connections. It wasn’t until about halfway through that I realized what was going on with some of the parts, and I went back to reread so I could make sure I was following! But it’s utterly unique and beautiful. For sci-fi, fantasy, and film fans, you should absolutely read this.

This is a weird one: a multi- point of view history of 20th century film making if Jules Verne style space travel had worked. Flits around through time and place, but if you have patience, the story comes together nicely. Very cool.

This may not be everyone's cup of tea, but if you can imagine a world where the 1920's silent films, art deco, and noir exist in a quantum physic's, multiverse timeline, well then I think you'll enjoy this very much.It takes a leap of the imagination, but if you can let your mind give way to Valente's worlds, you will be overwhelmed with where she dares to take you. I have been a fan of hers for many years now, beginning with Palimpsest. She is an author like none other.Bravo!

Due to all the glowing reviews, I am willing to believe this is a good story, but I just can't get into it. It's just thoroughly confounding. The writing is unneccesarily ambiguous in regards to the timelines and whos who. It really is written as if it was a really long ''what am I" puzzle. I'm all for experimental writing but if after four chapters Inn still without the slightest clue about WTH Ian reading, then that is a problem for me. I keep slogging through, figuring that soon my brain or the book will give me some aha moment but it's just not happening.

Some may well like this pastiche about the disappearance of Severin, who seems like a combination of Amelia Earhart and Leni Riefenstahl. In an alt universe that's arrived at our mid-20th century, somehow all the planets have been inhabited and terriformed. Severin, a documentary film maker, takes a documentary crew to Venus. Everyone returns but her. And in a series of recollections, first-person simile-laden noir narratives, and what all, we learn her story.I note the abundance of five-star reviews, but mine is not one of them. Frankly, I threw up my hands when a screenplay breaks out (in a typewriter typeface, yet) and my Kindle told me this would be going on for 43 minutes.No, just no.The late great film critic Pauline Kael once dismissed a film by saying she admired the technique, and then added: "what else is there?"Yes.---Recommended for those who have admired this author's previous books. And those who think Gene Wolfe is a genius. Others should avoid.

Seriously, it's impossible to describe this novel without Launching into a full blown synopsis that would take longer to tell than to read the novel in its entirety. Hitch hikers guide meets goblin market in an alternate universe of jazz age brilliance. Total ho,eric adventure story, little nuggets and gems poetical references, and absolutely stunning in its craft. Disorienting at first due to its non-conventional format, but if you just let yourself flow and not force it into any sort of linear narrative, you'll come away with the literary experience equivalent of a day at the spa--just relaxing with the effect of making everything glow with beauty. God, I love this book.

Great book but bad printing/binding issues which ruined my reading experience. Pages are printed slanted. Sad.

I loved the premise of this book -- a space-opera-type mystery set in an alternate reality where silent movies have never given way to talkies, and movie stars hop between our solar system's planets -- but had a tough time getting my bearings in the first couple of chapters. Fortunately I kept going and as the story progressed and all the threads converged I fell completely under its spell. This turned out to be one of those books that I immediately wanted to pick up and re-read, to catch what I missed the first time.

I was curious to know what others thought of this book and was aghast to find mixed reviews. I do feel that's a positive sign for a work of art, for this is what this novel is. Beautiful, Noir, a murder mystery, brain bending pager Turner, set in a alternate future where we can travel the solar system.

The content of the book is excellent, and I enjoyed it greatly.But, the paperback is of a pretty low quality. My copy arrived already smudged and greasy as if it were used, and many pages were printed on a slant with portions of words cut off on either side. In other instances, letters would appear out of line with a sentence, or even missing altogether. Disappointing!

I wanted to like Radiance. I understand the nostalgia for a solar system of princesses on Mars, and lush tropical wonderlands on Venus. The rocky, barren wastes revealed by space probes can represent something of a loss.While Radiance has great qualities, I did find it hard work. The story flits about in style, format and point of view. I could see that the story was about our everyday viewpoint colliding with the vastness that lies beyond. Other-worldly animals and plants had familiar names to cover up their weirdness. I got the point there, which did not make the story any easier to follow.As part of the idea that people take their own viewpoint out into strange places, Radiance has many references to travellers carrying familiar stories with them into space. But although the story of Radiance uses all kinds of easily recognised genres, it somehow lacks a familiar pattern. In an adventure story there is usually some mundane home that people leave behind. Dorothy leaves Kansas for Oz, for example. I mention the Wizard of Oz because there are a number of allusions to Kansas in Radiance. But the people mentioning Kansas don’t seem to know where it is. They certainly don’t know how to get there. Dorothy’s home remains an arty metaphor. Maybe that’s why I felt lost. There was no Kansas. Everywhere seemed to be Oz.At one stage in the book someone says: “Something has to be real. Something real has to anchor the magic.” I would say this is very true, and sums up what Radiance was lacking.Radiance is a brave effort and beautifully written, but I was rather glad to get to the end.